Winter Music Festival
Full RCF line array deployment with flown subs, moving-head light show and live IMAG on the 20ft LED wall.
The Challenge
What stood between us and a perfect show
Delivering consistent, distortion-free SPL across an open-air ground holding 12,000 attendees in Kumarghat — a site with no permanent power infrastructure, uneven terrain, and a demand for sub frequencies that could be felt at 200 metres without muddying the mids. The winter night air created temperature inversions that threatened intelligibility at the rear of the crowd.
The Solution
How we engineered it
We flew sixteen RCF HDL20A line array modules in two hangs off a 50 ft × 30 ft truss arch, cardioid-configured six RCF 9006-AS dual-18" subs to kill rear bleed into the mix position, and deployed JBL SRX825 side fills for lateral coverage. FOH was driven by a Behringer Wing digital console with dual S32 stage boxes. Lighting was programmed on a Mini Pearl 1024 Pro controller: six Sharpy moving heads choreographed to the headline set, 12 PAR lights flood-washing the crowd, CO2 blowers on chorus hits, and a 12-way pyro shot for the finale. The 20 ft × 10 ft LED wall ran live IMAG via two Sony cameras hard-cut on a Go-Stream switcher, giving fans at the back the same close-up energy as the front row.
The Result
Show night and beyond
Zero PA failures across a six-hour show. Post-event crowd surveys recorded an average satisfaction score of 4.9 / 5 for sound quality. The LED wall IMAG drove audience engagement to the rear third — photographers captured a fully energised ground right to the perimeter fence. The pyro finale trended locally on social media within 40 minutes of show close.
Technical Rider
Gear deployed
Every item owned and operated by DC Events — no sub-rentals.
On the Ground
Production gallery
Shot during load-in, sound check and show night.
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